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In my ambition to compose this all-encompassing material of a specific place, I decided to create that specific place first. In addition to the visual story of public spaces, this collection takes inspiration from the technical limitations and restrictions of the contract textile design process, as order also refers to rules and systems to be followed and obeyed. The 80s combine sharp and random shapes, vibrant frames and saturated, noisy colors.

The Yak is a placid, even-tempered animal that grazes at altitudes over 2,500 meters. The only two things a sheep needs to grow wool are water and grass. This project is part of a collaboration with Swarowski, and here the crystals exist side by side with plastic bags, newspaper cut outs, broken mirrors and stones found on the street, questioning the values of things today: What is really expensive and desirable? I seek to reestablish ‘ethnics’ in a contemporary way, reconnecting people to the knowledge of the past and promoting hand skills and craftsmanship. Antoine Bridier-Nahmias turns his attention to this particularly occurrence – suddenly, under his attentive eye, those unwelcome microscopic mushrooms reveal their beauty and become strangely fascinating. A vibrant visual language where north meets south, linked to the irin ajo weaving tradition.

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This intimate experience will allow a select number of travelers the opportunity to emancipate themselves from their daily lives and escape into the magic of Japan and its culture. For my sisters and me, his tragic story, her inability to acknowledge his roots, and the garments she so lovingly made hold the key to our identity. The concept of burial and decomposition has lead me to use lots of natural fibers such as wool and silk which will decompose along side synthetic materials such as polypropylene and plastics which will remain in the earth when you have been buried, leaving this memory or the person who has died.

She dedicates time and space to observing the flow of the natural cycle, and the basic ways in which people use the materials they find in the environment. The prize is part of Li Edelkoort and Philip Fimmano’s TALKING TEXTILES initiative that promotes textile education, creativity and awareness. I ask how the social situation of women has affected how the aesthetics of weaving. The yak’s natural reaction to the harsh environment of the Tibetan plateau is Norlha’s treasure; a precious brown fiber the Tibetans call ‘khullu’ that insulates it from the bitter winter cold. During the process, sizing is applied to strengthen the delicate yarn.

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